Ann Hamilton discusses her approach to art making in the January 7, 2014 posting of Artforum.com.
Click Here to View Art Forum
Wednesday, January 8, 2014
Thursday, December 19, 2013
Robert Kushner Exhibition Opening January 10 at Carl Solway Gallery
Robert Kushner, Peony Damask, 2011
Oil, acrylic and gold leaf on canvas
45 x 60 inches
ROBERT KUSHNER: Paintings 2010-2013 & The Four Seasons, Commissioned in 1990 for Tower Place CincinnatiJanuary 10 – April 12, 2014Opening Reception: Friday, January 10, 5-8:30 pmThe artist will be present.Robert Kushner’s exhibition at Carl Solway Gallery includes paintings from 2010 to the present, a small selection of prints and The Four Seasons, four large-scale paintings recently removed from Cincinnati’s Tower Place. The works feature his signature botanical subjects, often set against backgrounds of richly textured geometric patterns. An early participant in the Pattern and Decoration Movement in the 1970s, Kushner continues to draw upon a wide range of influences including the decorative arts of Asian and Islamic cultures; such recognized Western artists as Henri Matisse, Georgia O’Keeffe and Pierre Bonnard; and Asian artists such as the 18th century Japanese painter, Jakuchu Ito, and Chinese painters, Wu Changshi (1844-1927) and Qi Baishi (1836-1957).To quote the artist, “I never get tired of pursuing new ideas in the realm of ornamentation. Decoration, an abjectly pejorative dismissal for many, is a very big, somewhat defiant declaration for me…The eye can wander, the mind think unencumbered through visual realms that are expansively and emotionally rich. Decoration has always had its own agenda, the sincere and unabashed offering of pleasure and solace.”In 1990, Robert Kushner was commissioned to create paintings for the atrium of Tower Place, the shopping mall adjacent to the Carew Tower. Completed in 1930, the Carew Tower is one of Cincinnati’s finest buildings from the Art Deco era. The mall was a busy center of downtown activity until many of the stores moved to the suburbs. The Tower Place building was recently sold and Carl Solway Gallery was able to rescue the four paintings, 9 feet by 27 feet each.Best known as a painter, Robert Kushner’s prolific artistic output encompasses large-scale murals for public and private spaces, installations, performances and costume designs for dance companies. In 2004, he installed two monumental mosaic murals titled Four Seasons Seasoned at the 77th Street and Lexington Avenue subway station in Manhattan. He recently completed an 80-foot long marble mosaic, Welcome, for the Raleigh Durham International Airport in North Carolina. Kushner’s most recent installation, Scriptorium, comprised of over 1000 drawings of flowers and plants on book pages dating from 1500 to 1920, has been exhibited internationally.Kushner’s work is included in many major public collections such as The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York, The Whitney Museum of Art, New York; The National Gallery of Art, Washington, D.C.; The Philadelphia Museum of Art; J. Paul Getty Trust, Los Angeles; San Francisco Museum of Modern Art; Tate Gallery, London; Museum Ludwig, St. Petersburg, Russia and the Galleria degli Ufizzi, Florence, Italy. His work has been extensively exhibited since 1973 in the United States, Europe and Japan and was included in the Whitney Biennial three times (1975, 1981 and 1985) and the Venice Biennale twice. He was the subject of solo exhibitions at the Whitney Museum of American Art, the Brooklyn Museum and the Institute of Contemporary Art in Philadelphia.Born in Pasadena, California in 1949, Robert Kushner attended the University of California, San Diego. He was first active in the arts community of southern California and moved to New York City in the 1970s where, as a young artist, he supported himself as a restorer and collector of Oriental carpets. In addition to his artwork, Kushner has written many articles for art publications and, in 2006, edited Amy Goldin: Art in a Hairshirt, a collection of her writings. The late critic was an important professor and mentor to the artist.
Friday, December 13, 2013
INK Miami Art Fair
Carl Solway Gallery participated in the INK Miami Art Fair at the Suites of Dorchester from December 4-8, 2013.
Monday, November 18, 2013
2014 Whitney Biennial
Carl Solway Gallery is pleased to announce the inclusion of Stephen Berens, Channa Horwitz and Joel Otterson in the 2014 Whitney Biennial.
Installation view of Thinking of Pinturicchio (While Looking Out Sol LeWitt's Windows), an exhibition by Stephen Berens on view at Carl Solway Gallery during the fall of 2012.
Installation view of Thinking of Pinturicchio (While Looking Out Sol LeWitt's Windows), an exhibition by Stephen Berens on view at Carl Solway Gallery during the fall of 2012.
Ann Hamilton Lectures at DAAP, University of Cincinnati on November 20, 2013
Ann Hamilton lectures, Wednesday, November 20, 2013, 5 pm, at the University of Cincinnati DAAP Room 4400, free and open to the public.
http://bit.ly/1bYEWPn
In conjunction with the lecture, a selection of Ann's work, including her most recent edition, near-away is currently on display at Carl Solway Gallery.
ANN HAMILTON
near-away, 2013
Slices of paperback books, cheese cloth, string,
bookbinders glue, newsprint, methyl cellulose, steel wire
#6 from a series of 26 unique pairings
19.5 x 23 x 3.25 inches
near-away pairs artifacts from two previous installations: the husk of a hand shaped by paper from stylus, a 2010 project at The Pulitzer Foundation for the Arts, and the sliced book fragments re-bound as counterweights in the 2009 project human carriage, “The Third Mind: American Artists Contemplate Asia: 1860-1989” at the Solomon R. Guggenheim Museum.
The placement of the “hand” adjacent to the “book weight” expresses what changes us the most: the “hand” through the physical change of being “touched” and the “book weight” through the mental change brought on through reading.
near-away, 2013
Slices of paperback books, cheese cloth, string,
bookbinders glue, newsprint, methyl cellulose, steel wire
#6 from a series of 26 unique pairings
19.5 x 23 x 3.25 inches
near-away pairs artifacts from two previous installations: the husk of a hand shaped by paper from stylus, a 2010 project at The Pulitzer Foundation for the Arts, and the sliced book fragments re-bound as counterweights in the 2009 project human carriage, “The Third Mind: American Artists Contemplate Asia: 1860-1989” at the Solomon R. Guggenheim Museum.
The placement of the “hand” adjacent to the “book weight” expresses what changes us the most: the “hand” through the physical change of being “touched” and the “book weight” through the mental change brought on through reading.
Monday, November 11, 2013
Ann Hamilton at Elizabeth Leach Gallery
The Ann Hamilton exhibition a reading: video installation, works on paper and sculptural objects is on view at Elizabeth Leach Gallery in Portland, Oregon from November 2, 2013 - January 11, 2014.
www.elizabethleach.com/Exhibit
Ann Hamilton, book weight tt (human carriage), 2009/2010, archival inkjet print, 44 x 34 inches, edition of 10 + 2 APs.
www.elizabethleach.com/Exhibit
Ann Hamilton, book weight tt (human carriage), 2009/2010, archival inkjet print, 44 x 34 inches, edition of 10 + 2 APs.
Friday, November 8, 2013
Peter Halley at the IFPDA Print Fair
Peter Halley visits the Carl Solway Gallery booth at the 2013 IFPDA Print Fair. Four new Halley pieces, published by Carl Solway Gallery, are on view behind the artist.
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