Diane
Landry: by every wind that blows
November 9, 2013 – March 2, 2014
Curated by Raphaela Platow & Steven Matijcio
Celebrated
Canadian artist Diane Landry translates everyday items and mechanical systems
into mystical meditations on life, death and our relationship with technology.
Turning the mundane into the wondrous, everything from water bottles and
laundry hampers to bed frames and plastic cutlery are imbued with unexpected
life. Like a scrapyard version of Disney’s Fantasia, Landry’s
automated actors expand the basic functions of her respective materials –
allowing their shadows to dance hypnotically across gallery walls. Whether
these works speak to the sins of disposable culture or the untapped promise of
the everyday, her mechanized entities inspire a magical re-evaluation of the
material world.
Landry’s
CAC exhibition will feature the U.S. debut of her newest installation Exhaustion:
a chandelier-like form (made of plastic forks & knives) that floats up and
down like a colossal jellyfish. The show also highlights some of her most
notable works from the past decade, including swelling mandalas made from
plastic water bottles and laundry hampers, as well as chiming bedframes and
videos that measure time through the lens of the artist. As a special feature,
Landry will perform one of these works during the November 9th opening – paddling
a suspended canoe through plastic sheet waves high above the CAC lobby.
Linda Schwartz from Carl Solway Gallery and Diane Landry discuss work in progress at the Contemporary Arts Center.
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