Friday, April 10, 2015
Diane Landry Awarded Guggenheim Fellowship
Diane Landry has been awarded a 2015 John Simon Guggenheim Memorial Foundation Fellowship. Her work was shown at Carl Solway Gallery in 2013 and at the Contemporary Arts Center in 2013-2014.
Friday, February 6, 2015
Peter Halley Paintings On View at the Florence Griswold Museum
AN EXHIBITION OF 9 LARGE-SCALE PAINTINGS
FROM THE 1980s TO THE PRESENT
FEBRUARY 6th - MAY 31st
Curated by Benjamin Colman
FLORENCE GRISWOLD MUSEUM
96 Lyme Street
Old Lyme, Connecticut
Gallery talk with Peter Halley and Benjamin Colman
Sunday, February 8th, 2pm
For further information:
860-434-5542
Tuesday, January 27, 2015
John Coplans Photographs in Exhibition at the Columbus College of Art & Design
John Coplans in Sitter
at the Columbus College of Art & Design
January 23—April 23, 2015
Dawoud Bey John Coplans Doug Ischar Hrair Sarkissian Doug Biggert Rineke Dijkstra Natile Krick Celia Shapiro Matthew Brandt Craig Doty Leigh Ledare Daniel Shea Mike Brodie Gustavo Germano Ausencias Catherine Opie Anna Shteynshleyge Robert Buck Nan Goldin Suzanne Opton Arne Svenson Kelli Connell Katie Grannan JR Brian Ulrich Nina Katchadourian Philip-Lorca diCorcia Michael Wolf
Sitter will explore the fecund manifestations of the idea of the “portrait” as it exists in contemporary photography.
From John Coplans’ mapping of the entropic landscape of his own aging body to Katy Grannan’s spontaneous collaborations with strangers met on the streets of San Francisco to Rineke Dijkstra’s deep stares into the awkwardness of formative adolescent identity to Matthew Brandt’s linking of process, the body and self, Sitterwill present a wide range of “portraits” each expanding the idea of what the portrait can be. Sitter brings together conceptual artists, whose practices address an underlying sociopolitical agenda as well as artists and social documentarians that utilize strategies to subjectively shape the portraits they create. The convergence of these approaches yields work that carefully balances aesthetics, political ideas and the essence of identity to frame important social issues in a contemporary manner.
While issues of identity are certainly addressed—whether national, sexual, racial or political—there are also bodies of work that delve into the idea of place and its role in shaping the lives of the individuals that have chosen to live there. The exhibition will also investigate ideas of the public and the private and the interior and exterior lives of the people, groups and places the artists have chosen to encapsulate in their work while still confronting the uneasy prospect of anonymity and the presumption that a portrait allows us to know each subject.
From John Coplans’ mapping of the entropic landscape of his own aging body to Katy Grannan’s spontaneous collaborations with strangers met on the streets of San Francisco to Rineke Dijkstra’s deep stares into the awkwardness of formative adolescent identity to Matthew Brandt’s linking of process, the body and self, Sitterwill present a wide range of “portraits” each expanding the idea of what the portrait can be. Sitter brings together conceptual artists, whose practices address an underlying sociopolitical agenda as well as artists and social documentarians that utilize strategies to subjectively shape the portraits they create. The convergence of these approaches yields work that carefully balances aesthetics, political ideas and the essence of identity to frame important social issues in a contemporary manner.
While issues of identity are certainly addressed—whether national, sexual, racial or political—there are also bodies of work that delve into the idea of place and its role in shaping the lives of the individuals that have chosen to live there. The exhibition will also investigate ideas of the public and the private and the interior and exterior lives of the people, groups and places the artists have chosen to encapsulate in their work while still confronting the uneasy prospect of anonymity and the presumption that a portrait allows us to know each subject.
Wednesday, January 21, 2015
Friday, January 16, 2015
Carl Solway Gallery Presents a New Exhibition
Alice Aycock
Lynda Benglis
John Cage
Dan Christensen
Jim Dine
Lydia Dona
Helen Frankenthaler
Sam Gilliam
Ann Hamilton
Jean-Pierre Hébert
Channa Horwitz
Jasper Johns
Hildur Asgeirsdóttir Jónsson
Judy Pfaff
Claes Oldenburg
Alan Rath
Robert Rauschenberg
James Rosenquist
Joan Snyder
Peter Waite
Andy Warhol
Tom Wesselmann
Image: John Cage, HPSCHD, 1969, silkscreen, 40 x 26 inches
Image: John Cage, HPSCHD, 1969, silkscreen, 40 x 26 inches
Monday, January 5, 2015
Jay Bolotin Performance in Austin, Texas
Performance and Q&A with Woodcut Motion Picture Artist Jay Bolotin
December 17, 2014

Still from The Jackleg Testament Part I: The Story of Jack & Eve, a woodcut motion picture by Jay Bolotin.
How does artist, writer, musician, performer, and filmmaker Jay Bolotin choose one form of creative expression? Well, he doesn’t. He writes a script, composes a score, and animates woodblock prints that he cut himself. In November, Landmarks Video featured the product of Bolotin’s creative outpour, The Jackleg Testament Part I: The Story of Jack & Eve, and in January Landmarks will present an opportunity to meet the artist and learn about his woodcut motion picture.
Jay Bolotin is known in the art world primarily for his woodcuts, although he has composed and performed musical scores and designed sets for opera, dance, film, and documentaries. When he lived in Nashville, Bolotin worked with Kris Kristofferson, Merle Haggard, and Dan Fogelberg. His songs have been recorded by Fogelberg, Porter Wagoner, Dickey Betts, and David Allan Coe. More recently, he created the world’s first woodcut motion picture, The Jackleg Testament Part I: The Story of Jack & Eve; it won Best Animation at the 2007 Santa Fe Film Festival.
Steven Rosen of the Cincinnati CityBeat writes “the complexity, mysterious beauty, level of accomplishment and downright strangeness of Jay Bolotin’s art is continually amazing.” Bolotin’s commitment to his vision is uncompromising and admirable. The Jackleg Testament Part I: The Story of Jack & Eve retells of the biblical narrative of Adam and Eve from Bolotin’s inimitable perspective, including the character Jack, a mannequin housed inside of a jack-in-the-box toy. “I never understood what Eve did wrong,” says Bolotin, whose Eve suffers a similar fate as in the original. Stylistic influence from Northern Renaissance prints and the work of master printer William Blake can be seen through the motion picture.
PrintAustin kicks off on January 15, a month-long, citywide celebration of prints and printmaking in which museums, galleries, and studios present artist talks, demonstrations, and workshops. Landmarks will present a performance and Q&A with Jay Bolotin, preceded by a screening of The Jackleg Testament and followed by a reception. The event is free and open to filmmakers, printmakers, and lovers of both. Refreshments will be provided and seating is limited.
WHAT: Performance and Q&A with Woodcut Motion Picture Artist Jay Bolotin
WHEN: Thursday, 15 January 2015
Screening: 5:30 – 6:30 p.m.
Q&A: Approximately 6:30 p.m., followed by a reception
WHERE: The Off Center, 2211-A Hidalgo, Austin, Texas, 78702 (MAP)
For more information about the screening and Q&A, contact landmarks@austin.utexas.edu.
Wednesday, December 10, 2014
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